Film 7 days ‘M3GAN 2.0’ Review: The Demon-Doll Android Is Now the Heroine of a ‘Cautionary’ Sci-Fi Action Thriller That’s Bigger, Longer and Less Fun
Film 2 weeks ’28 Years Later’ Review: Danny Boyle Revives His Hit Horror Saga in Time to Confront the Next Apocalypse
Film 2 weeks ‘F1’ Review: Brad Pitt Swaggers Through a Formula One Drama That’s All Surface Excitement
Film 2 weeks ‘Elio’ Review: A Lonely Boy Makes Friends With an Alien in Emotionally Grounded Outer-Space Cartoon
Film 3 weeks ‘Animal Farm’ Review: Andy Serkis’ Sloppy Animated Adaptation Trades Political Insights for Potty Humor
Film 1 month ‘Karate Kid: Legends’ Review: Jackie Chan and Ralph Macchio in a Sequel Old-Fashioned Enough to Be Likable Retro Corn
Film 1 month ‘Honey Don’t!’ Review: Margaret Qualley Is Back, with Even More Panache, in the ‘Drive-Away Dolls’ Companion Piece No One Asked For. But It’s Throwaway Fun
Film 1 month ‘The History of Sound’ Review: Paul Mescal and Josh O’Connor Star in a Gay Period Romance That’s Like ‘Brokeback Mountain’ on Sedatives
Film 1 month ‘Highest 2 Lowest’ Review: Spike Lee’s Kurosawa-Inspired Kidnapping Drama Isn’t So Much a Remake as a Manifesto
Film 1 month ‘The Phoenician Scheme’ Review: Wes Anderson Weighs In on the Art of the Deal and Assorted Other Funny Business
