Norman Lear changed television. That, we know, is an absolute fact, and Iāll get to it in a moment. But what really saddens me at the news of Norman Learās death, at 101, is he wonāt be here anymore to serve as a voice of reason as the United States continues to lose its mind.
Lear was a World War II hero who spent much of his life defending democracy via what he put on our television screens and also in his high-profile advocacy work. He often talked of what inspired him to be politically active: At 9 years old, Lear was tinkering with his radio when he discovered the bile spewing from anti-Semitic broadcaster Father Charles Coughlin over the airwaves.
āI think about it all the time,ā Lear told me in 2019, when I had the pleasure of interviewing him multiple times for a Variety cover (among the several times I had the pleasure and honor of interviewing Lear over the last several years). Our country is now regressing to an earlier era of enmity, and it deeply concerned Lear. āThe hate that is being spewed, the racial hate, the religious hate. I sure remember the feeling of this creeping hatred and racism back then, and I feel it all around us today.ā
Lear said Coughlin and his ilk āscared the shit out of me.ā That fueled a patriotism that led him to ultimately enlisted during World War II and fly 52 combat missions. Later, inspired by the idea that Coughlinās rhetoric wasnāt āin the American way,ā he founded People for the American Way in 1980 to combat hate speech and right-wing propaganda. Later, Lear and his wife, Lyn, helped found the Environment Media Association in 1989 to build awareness of environmental issues; the couple also created the Lear Family Foundation in 1997 to support a wide range of causes.
Last year, when the Supreme Court overturned Roe v. Wade, I immediately thought of the famous episode of Learās āMaude,ā in which the title character made the difficult decision to have an abortion, and how in the time since that episode aired in 1972, we had seen womenās right to autonomy over their bodies finally come to fruition⦠only to be pulled away again. And now, with democracy hanging in the balance, we may very well lose more fundamental rights in the coming years. Lear fought for so much; we must fight even harder now that he is gone.
Even as this country grew darker in its recent years, Lear didnāt lose optimism. Yes, he was worried about the state of our nation, and he wanted us to know we needed to be vigilant. Even at 100, Lear was still regularly posting on social media to rally Americans to exercise their civic duties and remind each other that we canāt take democracy for granted. We have to fight for it and remind each other why itās important.
Learās attitude was always inspiring, and perhaps thatās what makes losing him at this moment in our countryās history all the more heartbreaking. Marty Kaplan, who founded and runs USC Annenbergās Norman Lear Center, told me a few years ago that āone of my fondest prayers is that Norman is flourishing when this current period is behind us, and we come back to our civic senses.ā
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In 2000, Norman and Lyn were among a group that purchased a copy of the Declaration of Independence and toured it around the country for citizens to see it up close ā and hopefully be inspired by what it means. That is also where Lear became close with his production partner Brent Miller, leading to a bit of a renaissance for Lear and his Act III Prods. company.
Itās pretty incredible to think about how reboots and remakes of Learās signature 1970s series had such resonance in the modern day. The reimagining of āOne Day at a Timeā under Gloria Calderón Kellett and Mike Royce honored the original, and went even further in telling critical stories of representation and acceptance. And then the āLive in Front of a Studio Audienceā specials helmed by Lear and Jimmy Kimmel were striking in how those scripts from that era, from shows like āAll in the Family,ā āThe Jeffersonsā and āGood Times,ā felt so relevant even now.
Itās not hard to find a TV writer (both in drama and comedy) who was inspired by how Lear reinvented the TV sitcom. Ryan Murphy, Phil Rosenthal, Kenya Barris and more learned how to pair great characters and hysterical situations with moments that really mean something, all thanks to growing up on a diet of Norman Lear series. And Lear often returned the favor, lavishing praise on shows that hoped to carry on his mantle, like NBCās under-appreciated āThe Carmichael Show.ā
āHe showed you that you can put on a television show thatās funny, really funny, and tackle some real issues that affect real people,ā Chuck Lorre once told me. āThat was woven into my DNA, watching that stuff as I was growing up.ā
Lear continued to be active right up to 100, going to his office and regularly attending events. He was so inspiring in his energy and how much life he packed into every day, and always living in the moment. (He was fond in pointing out how everything in his life had led to that very point in time he was now at.) During the early days of the pandemic, I asked Lear how he was handling being quarantined at home. āāI fucking hate itā is the way Iām handling it,ā he quipped.
I also once asked Lear what he thought his legacy might be, and it turns out that wasnāt the right question. Norman Lear wasnāt done. He was never done.
āLegacy is what other people draw from the life youāve led,ā he said. āI donāt think about the legacy.ā
Leave it to the rest of us, then. Norman Learās legacy will be how we all keep his spirit and mission alive ā both on the television screen and throughout our nation.
From Variety US