Film 1 year ‘Karate Kid: Legends’ Review: Jackie Chan and Ralph Macchio in a Sequel Old-Fashioned Enough to Be Likable Retro Corn
Film 1 year ‘Honey Don’t!’ Review: Margaret Qualley Is Back, with Even More Panache, in the ‘Drive-Away Dolls’ Companion Piece No One Asked For. But It’s Throwaway Fun
Film 1 year ‘The History of Sound’ Review: Paul Mescal and Josh O’Connor Star in a Gay Period Romance That’s Like ‘Brokeback Mountain’ on Sedatives
Film 1 year ‘Highest 2 Lowest’ Review: Spike Lee’s Kurosawa-Inspired Kidnapping Drama Isn’t So Much a Remake as a Manifesto
Film 1 year ‘The Phoenician Scheme’ Review: Wes Anderson Weighs In on the Art of the Deal and Assorted Other Funny Business
Film 1 year ‘Mission: Impossible — The Final Reckoning’ Review: Tom Cruise Flies High in a Thrillingly Doom-Laden Series Grand Finale
Film 1 year ‘Final Destination Bloodlines’ Review: A Silly But Satisfyingly Homicidal Series Of Unfortunate Events
Film 1 year ‘Rust’ Review: Alec Baldwin Plays a Cold Outlaw with a Heart of Gold in a Buddy-Movie Western That Lopes Along More Than It Takes Wing
Film 1 year ‘Thunderbolts*’ Review: That Mysterious Asterisk Masks the Real Reason to Watch These Six Marvel Rejects
Film 1 year ‘Sinners’ Review: Ryan Coogler’s Deep South From-Dusk-Till-Dawn Vampire Film Is a Lavishly Serious Popcorn Movie, With Michael B. Jordan in a Dual Role as Criminal Brothers
