Film 3 months ‘The Rip’ Review: Matt Damon and Ben Affleck’s Impressive Reunion Rivals Films They Made for Big Studios
TV 4 months ‘The Pitt’ Makes Its Triumphant Return in Season 2 With an Even Bigger Cast and the Same Social Conscience: TV Review
Film 4 months ‘Anaconda’ Review: High-Concept Cover Version Flips Genres, Revisiting Killer-Snake ‘Classic’ With Scant Laughs and Zero Scares
Film 4 months ‘The Housemaid’ Review: Sydney Sweeney and Amanda Seyfried in a Twisted Domestic Thriller That’s Over-the-Top and Clever About It
Film 4 months ‘Avatar: Fire and Ash’ Review: The Story Is Fine, the Action Awesome, as the Third ‘Avatar’ Film Does New Variations on a No-Longer-New Vision
Film 5 months ‘Five Nights at Freddy’s 2’ Review: The Animatronic Killers Are Back, and So Is the Slapdash Filmmaking, in the Lousy Sequel to 2023’s Monster Hit
Film 5 months ‘Marty Supreme’ Review: Timothée Chalamet Sure Plays a Mean Ping-Pong in a Role of Singularly Enervating Intensity
Film 5 months ‘Zootopia 2’ Review: Where Disney’s Critter-Driven Cartoon Favored Mammals, Its Reptile-Inclusive Sequel Tips the Scales
Film 5 months ‘Wicked: For Good’ Review: Between Broom Flights and Witch Fights, It’s Ariana Grande’s Time to Shine in Spectacular Return to Oz
Film 5 months ‘Now You See Me: Now You Don’t’ Review: Jesse Eisenberg Leads an Expanded Team of Magicians in a Worthy Third Sleight-of-Hand Thriller
