“One Battle After Another,” a blisteringly funny look at a repressive society riven by political violence, dominated the 2026 Golden Globe Awards nominations on Monday, earning nine nominations. It was followed closely behind by “Sentimental Value,” a drama about a filmmaker’s dysfunctional family, and “Sinners,” a vampire movie set in the segregated South, which earned eight nominations and seven nominations, respectively.
Because the Golden Globes honour dramas and musicals/comedies separately, these films will compete for the top prizes in different categories. “One Battle After Another” is up for best motion picture – musical or comedy, alongside “Blue Moon,” “Bugonia,” “Marty Supreme,” “No Other Choice” and “Nouvelle Vague.” “Sentimental Value” and “Sinners” will vie for best drama alongside “Frankenstein,” “Hamnet,” “It Was Just an Accident” and “The Secret Agent.”
On the series front, “The White Lotus,” a satire set in a posh Thailand resort, and “Adolescence,” the story of a criminal investigation told in one continuous shot, led with six and five nominations, respectively. They were followed closely behind by the comedy-mystery show “Only Murders in the Building” and the sci-fi thriller “Severance,” which earned four nods apiece.
“The White Lotus” and “Severance” are up for best drama series, where they will face off against “The Pitt,” “Pluribus,” “The Diplomat” and “Slow Horses.” “Only Murders in the Building” was nominated for best comedy series, along with “Abbott Elementary,” “The Bear,” “Hacks,” “Nobody Wants This” and “The Studio.” “Adolescence” will compete with “All Her Fault,” “The Beast in Me,” “Black Mirror,” “Dying for Sex” and “The Girlfriend” for best television limited series, anthology or motion picture.
A string of Australian stars also picked up nominations today, including Joel Edgerton for Best Performance by a Male Actor in a Motion Picture — Drama (“Train Dreams”), Rose Byrne for Best Performance by a Female Actor in a Motion Picture — Musical or Comedy (“If I Had Legs I’d Kick You“), Jacob Elordi for Best Performance by a Male Actor in a Supporting Role — Motion Picture (“Frankenstein”) and Sarah Snook for Best Performance by a Female Actor in a TV Show — Limited Series, Anthology Series, or Motion Picture Made for Television (All Her Fault).
Netflix, which recently stunned Hollywood with its $82.7 billion deal to acquire Warner Bros. and HBO, led all distributors with 35 nominations across film and television. It was followed closely behind by the company it plans to buy, with Warner Bros. and HBO receiving 31 nominations between them.
The Globes are a less staid affair than the Oscars or the Emmys. Champagne flows freely, the event unfolds in a supper club setting and it’s not unusual for a tipsy honoree to take the stage or miss their award because of an ill-timed bathroom break. President Helen Hoehne suggested as much when nominations were announced, calling it “Hollywood’s party of the year.”
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But the Globes are being handed out as the business has a lot less to celebrate. The streaming economy is under strain, studios are cutting costs and slashing jobs and the box office is in a rut. The awards show (Variety parent company PMC owns Dick Clark Prods. in a joint venture with Eldridge) has taken steps to evolve along with changing tastes. For the first time, it is recognizing podcasters, with the likes of “Armchair Expert With Dax Shepard,” “Call Her Daddy,” “Good Hang With Amy Poehler,” “The Mel Robbins Podcast,” “Smartless” and “Up First” all competing for the top prize.
The organization has also added the category of best cinematic or box office achievement to reflect more commercial tastes. Its nominees are puzzling. They include undeniable box office hits such as “F1,” “Sinners,” “Weapons,” “Wicked: For Good,” and “Zootopia,” but also “Avatar: Fire & Ash,” which hasn’t opened yet, and “KPop Demon Hunters,” which was a streaming success for Netflix, but barely played in theaters. Another honoree, “Mission: Impossible – The Final Reckoning” was a financial disappointment that lost tens of millions of dollars.
Another new award, honoring the best stand-up special, recognized Bill Maher, Ricky Gervais, Sarah Silverman, Kumail Nanjiani, Kevin Hart and Brett Goldstein with nominations.
In addition to its best motion picture nomination, “One Battle After Another” earned nods for best director for Paul Thomas Anderson, lead actor for Leonardo DiCaprio, lead actress for Chase Infiniti and supporting nods for Benicio Del Toro, Sean Penn and Teyana Taylor. It also picked up nods for Anderson’s screenplay and Jonny Greenwood’s score. Though critically adored, “One Battle After Another” struggled at the box office — it earned over $200 million, but cost more than $130 million to produce and millions more to market, and will lose tens of millions of dollars.
The “White Lotus” nominations included acting nods for Carrie Coon, Parker Posey, Aimee Lou Wood, Walton Goggins and Jason Isaacs. Creator Mike White recently announced that the anthology series will return for a fourth season that will be set in the French Riviera.
The nominations were unveiled Monday morning by Marlon Wayans and Skye P. Marshall. The 2026 Golden Globe Awards will air on Jan. 11 at 8 p.m. ET/5 p.m. PT on CBS and stream on Paramount+ in the U.S. Comedian Nikki Glaser returns to host the show for the second year in a row.
BEST MOTION PICTURE – DRAMA
FRANKENSTEIN (Netflix)
HAMNET (Focus Features)
IT WAS JUST AN ACCIDENT (NEON)
THE SECRET AGENT (NEON)
SENTIMENTAL VALUE (NEON)
SINNERS (Warner Bros. Pictures)
BEST MOTION PICTURE – MUSICAL OR COMEDY
BLUE MOON (Sony Pictures Classics)
BUGONIA (Focus Features)
MARTY SUPREME (A24)
NO OTHER CHOICE (NEON)
NOUVELLE VAGUE (Netflix)
ONE BATTLE AFTER ANOTHER (Warner Bros. Pictures)
BEST MOTION PICTURE – ANIMATED
ARCO (NEON)
DEMON SLAYER: KIMETSU NO YAIBA INFINITY CASTLE (Aniplex, Crunchyroll, Sony Pictures Entertainment)
ELIO (Walt Disney Studios Motion Pictures)
KPOP DEMON HUNTERS (Netflix)
LITTLE AMÉLIE OR THE CHARACTER OF RAIN (GKIDS)
ZOOTOPIA 2 (Walt Disney Studios Motion Pictures)
CINEMATIC AND BOX OFFICE ACHIEVEMENT
AVATAR: FIRE AND ASH (Walt Disney Studios Motion Pictures)
F1 (Apple Original Films)
KPOP DEMON HUNTERS (Netflix)
MISSION: IMPOSSIBLE – THE FINAL RECKONING (Paramount Pictures)
SINNERS (Warner Bros. Pictures)
WEAPONS (Warner Bros. Pictures, New Line Cinema)
WICKED: FOR GOOD (Universal Pictures)
ZOOTOPIA 2 (Walt Disney Studios Motion Pictures)
BEST MOTION PICTURE – NON-ENGLISH LANGUAGE
IT WAS JUST AN ACCIDENT (NEON) – FRANCE
NO OTHER CHOICE (NEON) – SOUTH KOREA
THE SECRET AGENT (NEON) – BRAZIL
SENTIMENTAL VALUE (NEON) – NORWAY
SIRĀT (NEON) – SPAIN
THE VOICE OF HIND RAJAB (WILLA) – TUNISIA
BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – DRAMA
JESSIE BUCKLEY (HAMNET)
JENNIFER LAWRENCE (DIE MY LOVE)
RENATE REINSVE (SENTIMENTAL VALUE)
JULIA ROBERTS (AFTER THE HUNT)
TESSA THOMPSON (HEDDA)
EVA VICTOR (SORRY, BABY)
BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – DRAMA
JOEL EDGERTON (TRAIN DREAMS)
OSCAR ISAAC (FRANKENSTEIN)
DWAYNE JOHNSON (THE SMASHING MACHINE)
MICHAEL B. JORDAN (SINNERS)
WAGNER MOURA (THE SECRET AGENT)
JEREMY ALLEN WHITE (SPRINGSTEEN: DELIVER ME FROM NOWHERE)
BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
ROSE BYRNE (IF I HAD LEGS I’D KICK YOU)
CYNTHIA ERIVO (WICKED: FOR GOOD)
KATE HUDSON (SONG SUNG BLUE)
CHASE INFINITI (ONE BATTLE AFTER ANOTHER)
AMANDA SEYFRIED (THE TESTAMENT OF ANN LEE)
EMMA STONE (BUGONIA)
BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
TIMOTHÉE CHALAMET (MARTY SUPREME)
GEORGE CLOONEY (JAY KELLY)
LEONARDO DICAPRIO (ONE BATTLE AFTER ANOTHER)
ETHAN HAWKE (BLUE MOON)
LEE BYUNG-HUN (NO OTHER CHOICE)
JESSE PLEMONS (BUGONIA)
BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
EMILY BLUNT (THE SMASHING MACHINE)
ELLE FANNING (SENTIMENTAL VALUE)
ARIANA GRANDE (WICKED: FOR GOOD)
INGA IBSDOTTER LILLEAAS (SENTIMENTAL VALUE)
AMY MADIGAN (WEAPONS)
TEYANA TAYLOR (ONE BATTLE AFTER ANOTHER)
BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
BENICIO DEL TORO (ONE BATTLE AFTER ANOTHER)
JACOB ELORDI (FRANKENSTEIN)
PAUL MESCAL (HAMNET)
SEAN PENN (ONE BATTLE AFTER ANOTHER)
ADAM SANDLER (JAY KELLY)
STELLAN SKARSGÅRD (SENTIMENTAL VALUE)
BEST DIRECTOR – MOTION PICTURE
PAUL THOMAS ANDERSON (ONE BATTLE AFTER ANOTHER)
RYAN COOGLER (SINNERS)
GUILLERMO DEL TORO (FRANKENSTEIN)
JAFAR PANAHI (IT WAS JUST AN ACCIDENT)
JOACHIM TRIER (SENTIMENTAL VALUE)
CHLOÉ ZHAO (HAMNET)
BEST SCREENPLAY – MOTION PICTURE
PAUL THOMAS ANDERSON (ONE BATTLE AFTER ANOTHER)
RONALD BRONSTEIN, JOSH SAFDIE (MARTY SUPREME)
RYAN COOGLER (SINNERS)
JAFAR PANAHI (IT WAS JUST AN ACCIDENT)
ESKIL VOGT, JOACHIM TRIER (SENTIMENTAL VALUE)
CHLOÉ ZHAO, MAGGIE O’FARRELL (HAMNET)
BEST ORIGINAL SCORE – MOTION PICTURE
ALEXANDRE DESPLAT (FRANKENSTEIN)
LUDWIG GÖRANSSON (SINNERS)
JONNY GREENWOOD (ONE BATTLE AFTER ANOTHER)
KANGDING RAY (SIRĀT)
MAX RICHTER (HAMNET)
HANS ZIMMER (F1)
BEST ORIGINAL SONG – MOTION PICTURE
“DREAM AS ONE” –– AVATAR: FIRE AND ASH
Music by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
Lyrics by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
“GOLDEN” –– KPOP DEMON HUNTERS
Music by: Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong Jun
Lyrics by: Kim Eun-jae (EJAE), Mark Sonnenblick
“I LIED TO YOU” –– SINNERS
Music by: Raphael Saadiq, Ludwig Göransson
Lyrics by: Raphael Saadiq, Ludwig Göransson
“NO PLACE LIKE HOME” –– WICKED: FOR GOOD
Music by: Stephen Schwartz
Lyrics by: Stephen Schwartz
“THE GIRL IN THE BUBBLE” –– WICKED: FOR GOOD
Music by: Stephen Schwartz
Lyrics by: Stephen Schwartz
“TRAIN DREAMS” –– TRAIN DREAMS
Music by: Nick Cave, Bryce Dessner
Lyrics by: Nick Cave
BEST TELEVISION SERIES – DRAMA
THE DIPLOMAT (NETFLIX)
THE PITT (HBO MAX)
PLURIBUS (APPLE TV)
SEVERANCE (APPLE TV)
SLOW HORSES (APPLE TV)
THE WHITE LOTUS (HBO MAX)
BEST TELEVISION SERIES – MUSICAL OR COMEDY
ABBOTT ELEMENTARY (ABC)
THE BEAR (FX ON HULU)
HACKS (HBO MAX)
NOBODY WANTS THIS (NETFLIX)
ONLY MURDERS IN THE BUILDING (HULU)
THE STUDIO (APPLE TV)
BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
ADOLESCENCE (NETFLIX)
ALL HER FAULT (PEACOCK)
THE BEAST IN ME (NETFLIX)
BLACK MIRROR (NETFLIX)
DYING FOR SEX (FX ON HULU)
THE GIRLFRIEND (PRIME VIDEO)
BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – DRAMA
KATHY BATES (MATLOCK)
BRITT LOWER (SEVERANCE)
HELEN MIRREN (MOBLAND)
BELLA RAMSEY (THE LAST OF US)
KERI RUSSELL (THE DIPLOMAT)
RHEA SEEHORN (PLURIBUS)
BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – DRAMA
STERLING K. BROWN (PARADISE)
DIEGO LUNA (ANDOR)
GARY OLDMAN (SLOW HORSES)
MARK RUFFALO (TASK)
ADAM SCOTT (SEVERANCE)
NOAH WYLE (THE PITT)
BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
KRISTEN BELL (NOBODY WANTS THIS)
AYO EDEBIRI (THE BEAR)
SELENA GOMEZ (ONLY MURDERS IN THE BUILDING)
NATASHA LYONNE (POKER FACE)
JENNA ORTEGA (WEDNESDAY)
JEAN SMART (HACKS)
BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
ADAM BRODY (NOBODY WANTS THIS)
STEVE MARTIN (ONLY MURDERS IN THE BUILDING)
GLEN POWELL (CHAD POWERS)
SETH ROGEN (THE STUDIO)
MARTIN SHORT (ONLY MURDERS IN THE BUILDING)
JEREMY ALLEN WHITE (THE BEAR)
BEST PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
CLAIRE DANES (THE BEAST IN ME)
RASHIDA JONES (BLACK MIRROR)
AMANDA SEYFRIED (LONG BRIGHT RIVER)
SARAH SNOOK (ALL HER FAULT)
MICHELLE WILLIAMS (DYING FOR SEX)
ROBIN WRIGHT (THE GIRLFRIEND)
BEST PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
JACOB ELORDI (THE NARROW ROAD TO THE DEEP NORTH)
PAUL GIAMATTI (BLACK MIRROR)
STEPHEN GRAHAM (ADOLESCENCE)
CHARLIE HUNNAM (MONSTER: THE ED GEIN STORY)
JUDE LAW (BLACK RABBIT)
MATTHEW RHYS (THE BEAST IN ME)
BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
CARRIE COON (THE WHITE LOTUS)
ERIN DOHERTY (ADOLESCENCE)
HANNAH EINBINDER (HACKS)
CATHERINE O’HARA (THE STUDIO)
PARKER POSEY (THE WHITE LOTUS)
AIMEE LOU WOOD (THE WHITE LOTUS)
BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
OWEN COOPER (ADOLESCENCE)
BILLY CRUDUP (THE MORNING SHOW)
WALTON GOGGINS (THE WHITE LOTUS)
JASON ISAACS (THE WHITE LOTUS)
TRAMELL TILLMAN (SEVERANCE)
ASHLEY WALTERS (ADOLESCENCE)
BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISION
BILL MAHER (BILL MAHER: IS ANYONE ELSE SEEING THIS?
BRETT GOLDSTEIN (BRETT GOLDSTEIN: THE SECOND BEST NIGHT OF YOUR LIFE)
KEVIN HART (KEVIN HART: ACTING MY AGE)
KUMAIL NANJIANI (KUMAIL NANJIANI: NIGHT THOUGHTS)
RICKY GERVAIS (RICKY GERVAIS: MORTALITY)
SARAH SILVERMAN (SARAH SILVERMAN: POSTMORTEM)
BEST PODCAST
ARMCHAIR EXPERT WITH DAX SHEPARD (WONDERY)
CALL HER DADDY (SIRIUSXM)
GOOD HANG WITH AMY POEHLER (SPOTIFY)
THE MEL ROBBINS PODCAST (SIRIUSXM)
SMARTLESS (SIRIUSXM)
UP FIRST (NPR (NATIONAL PUBLIC RADIO)
Variety parent company PMC owns Dick Clark Prods. in a joint venture with Eldridge.
From Variety US
